The Evolution of Psychedelic music in the late 1960’s
For this activity, you will analyze how music morphed from the standard â€œhit singleâ€ format of the early 1960s to the much more experimental format of the late 1960s, and compare the differences.While watching and listening to the videos, ask yourself the following questions:Influence:What are the main influences on the music and how have they changed?Lyrics:How do the lyrics change from 1966 – 1969?Do the lyrics of the different periods have a similar or different focus?Instrumentation:How does the instrumentation change from 1966 – 1969?Do the instruments make the same sounds in the different periods?Form:How does the form of the songs change from 1966 – 1969?Are there any unusual features in the songs of 1969 that aren’t there in 1966?listen to these songs in chronological order:The YardbirdsI’m A Man [Video file] [02 min 38 sec] (1964)The second wave of “British invastion” bands with Eric Clapton on guitar.I’m A Man [Video file] [03 min 11 sec] (1965)A year later with Jeff Beck on guitar.I’m A Man [Video file] [06 min 06 sec] (1967)Jimmy Page (who would later lead his own group – Led Zepplin) plays a guitar solo with a violin bow. Notice how everyone has to stop dancing because the band starts improvising on a much faster beat that no one can dance to.CreamStrange Brew [Video file] [02 min 21 sec] (1966)Eric Clapton (after the Yardbirds) playing a cover of a reworked blues song from 1934. The band was still looking toward American blues for their material but putting a much different spin on it.I’m So Glad – Live [Video file] [09 min 08 sec] (1969)This video gives you a good idea of the English â€œpsychedelicâ€ experience in concert. This is one of Eric Clapton’s most famous guitar solos.Crossroads – Live [Video file] [02 min 38 sec] (1968)Another one of Creamâ€™s greatest recordings and Claptonâ€™s great guitar solos. This is a cover version of the blues song Cross Road Blues by Robert Johnson from his legendary recording of 1936. This shows just how closely British rockers were listening to American blues recordings. If youâ€™d like to listen to the original recording to see how Cream interpreted it.The ByrdsMr. Tambourine Man [Video file] [02 min 42 sec] (1965)The cover of Bob Dylanâ€™s song featuring the jingle-jangle guitar sound of Roger McGuinn.Chimes of Freedom, He Was a Fried of Mine & Hey Joe [Video file] [09 min 14 sec] (1967)This is the Byrds set at the Monterey Pop Festival. They’re covering two Dylan songs and the Jimi Hendrix song â€œHey Joe.â€ The front man of this set is David Crosby (later of Crosby, Still, Nash and Young). This is a much different sound for the Byrds.Interesting Tidbit: at 6:20 the film cuts to a close up of an impossibly young Mama Cass who reportedly sat through all the shows that year.Eight Miles High (1969/70)Here are the Byrds looking and sounding much different with different personnel accompanying Roger McGuinn. This is their â€œ psychedelicâ€ classic.*** Now, consider the following questions: How did rock and roll change in the â€œpsychedelicâ€ era? What are some of the elements that were added (or subtracted) from rock and roll to create the â€œ psychedelicâ€ style? What was new and different about â€œpsychedelicâ€ music that made it stand apart from the rock and roll of the early and mid 1960s?Address the above questions after careful listening and analysis of the songs listed. Be sure to justify your response by referencing specific songs, and include in text citation for all songs discussed. Your post needs to be at least 250 words and must substantively integrate the assigned listenings from the module with proper APA style formatting.